The shock-pop sensation has shown that things to do in the cruel world of fashion with their debut on the catwalk, high-impact Mugler Wednesday to fall-winter 2011-12 show ready to use.
Wearing a sheer black top and painted on the pencil skirt, Gaga was based on the wealth of experience with the shoe ends and managed to negotiate the towering platform shoes better than some of the models.
Legions of fans besieged the place of the series, a gym in a working class neighborhood in eastern Paris, in the hope of a glimpse of the singer. It was evident that many industry experts also made the trip in the backwater of the exclusive fashion Gaga - who had announced he would be walking in the show on his Twitter account yesterday.
And did not disappoint. Breakdown in the middle of the show with a huge contingent of bodyguards, stepped on stage Gaga - ahem, the catwalk - and openly struck poses in front of the pack even more formidable photographers. She puffed on a cigarette, clouds of smoke blowing into them and then turns off: beating, grinding and bolster his way backstage, only to emerge in an entirely white hat topped by a screen.
It was a successful performance, er, show. Gaga actually seemed more comfortable than many of the models, who were struggling to embrace the role of bad girl who had been told to play. His roar of the tiger in the cameras snapped, his drafts were forced - and Gaga stood out as the performer of category it is.
Slideshow: Fashion gone Gaga (this page)
The clothes themselves were not much better than the models. Sebastien peignoir was like, who designed the collection under Gaga stylist and new creative director Mugler, Nicola Formichetti, was giving his starting point the "How to" manual for a label with the hope of generating buzz.
Painted vinyl pants? Cheque.
Latex skirt High-waist blouse paired with a pure and nothing underneath? Cheque.
Bodys Leopard print? Cheque.
Nothing revolutionary, or even slightly surprising, really.
Some parts channeled the spirit of the founder of Thierry Mugler, as tubedresses second skin that is used more than it looked plastic dinosaur vertebrae shoulder and wrist, in a nod to the ways Mugler brand, despite lacking imposing its volume.
Still, the first women Formichetti show prêt-à-porter, no doubt, hit the target - to drum up publicity for a brand that has failed retirement years Mugler.
It was certainly a more skillful use of the explosive power of celebrity better than previous attempts by the world of fashion - particularly the disastrous hiring of Lindsay Lohan Emanuel Ungaro as artistic adviser. Formichetti, the man who put on a dress Gaga meat and dressed her like a human latex condom sheathed missed arguably more intelligent than Lohan, whose claim to fame was his fashion line of leggings.
Appointed last year showed Formichetti Mugler's first collection of menswear collections in Paris in January. Reviews were mixed.
